One of the most peaceful hobbies I have is beachcombing. For many years, whenever I’ve been near a beach, I would be found digging for natures treasures, taking shells and other finds home for “future projects”, many of which never really materialized.
In 2020 I began combing beaches for seaglass, which is one of my favorite things in the world to do. Sitting on the beach, often barefoot, with just the sound of the gentle waves rolling in…..heaven!
Recently my partner and I traveled to the Dominican Republic for a week at an all-inclusive resort. We enjoyed walking the coastline every morning, catching the early sun. Of course, we couldn’t resist gathering a few treasures to bring back with us.
Upon our return, I cleaned all of these empty shells and dried up coral with bleach solution, as I do with seaglass. I didn’t soak them long, as bleach can make delicate shells brittle.
This project is fantastic if you have a passion for beachcombing yourself, or if you are looking to utilize special treasures your kids find (or bring back from trips).
For this tutorial you will need the following:
A shadowbox frame (I used a 12X12″ frame here)
Clean, dry treasures
Cardstock (I used a 12X12 piece to fit the frame)
I love lightly-patterned cardstock, however you can use plain.
Depending on the size of your shadowbox, you may need to cut your cardstock to fit. I use a Fiskars paper cutter to get a nice, even cut. Make sure to cut your cardstock *before* you start gluing items onto the page.
First you will plan out the placement of your items. I recommend that you work 1-2 inches in from the border of your page. Gently place your treasures on the sheet, but don’t glue them down just yet. You may want to adjust them as you go. Try to balance colors (ie. dark and light) and larger pieces to bring an aspect of symmetry to your art.
When you’re happy with the placement of the treasures, pick each one up individually and place a little E6000 adhesive on the underside, and replace it on the paper. E6000 doesn’t dry immediately, so you have time to make small adjustments. Also be mindful that if you accidentally nudge the treasures, they will likely move.
Once you’ve glued all of your treasures in place, I recommend *not moving the cardstock* until the treasures have had a chance to dry. Dry time is a few hours, but I typically leave them for about 24 hours before framing.
To frame, take the glass pane out of the shadowbox and give it a good clean with glass cleaner, front and back. Frames normally aren’t totally clean when you get them from the store, so don’t skip this step.
Pop your art in your shadowbox and, voila!
Every time I look at this piece, I will remember that relaxing and wonderful trip to the Dominican Republic. This makes a great gift for your travel partner as well!
Thanks for stopping by to check out my post today!
If you live in a cold weather place (which I certainly do), you may be seeing an increase this year in fashionable headwear. Touques seem to be traded this year for ear warmers, and I’m here for it.
A few years back I found a pattern for a cable-knit headband and I absolutely loved it, but I will admit the band wasn’t quite wide enough.
Over the holidays I picked up my knitting needles for the first time in months. I had been looking for a pattern for a knit twisted ear warmer but I was mostly coming across crocheted ear warmers, and I am absolutely terrible at crochet.
I pulled out my measuring tape and began sizing things up. After just a couple of iterations I happily landed on a no-fail pattern. I’ve made this about 15 times now with slight variations in the yarn, and they have all turned out great.
For those who love the look but don’t love to knit, I do have a number of these for sale right now on my Etsy page.
I’ve used a variety of yarn from Michaels, but I tend to enjoy the color variety from Loops & Threads or Lion Brand.
Materials needed for this project:
Super bulky yarn
To get started I cast on 18 stitches. Just two stitches form this pattern, the purl (P) and the knit (K). I followed the below pattern:
Every row you start you will start with a Purl. This creates a ribbed look.
I followed this pattern until the knit fabric reached 20″ long, then I cast off, leaving the tail of yarn about 10″ long. Take your darning needle and thread it with the tail of yard from your cast off.
Next you will want to lay out flat the full rectangle you’ve knit. You are going to fold over the ends of each, with corners all facing up. Next you want to bring all of the corners together, layering them like this:
Ensure you have all corners aligned with the rest of the edges (as they have a tendency to curve away a bit), and knit through the stitches as close to the edge as you can.
Flip the ear warmer right-side-out, and it’s ready to wear!
I’ve been wearing these for the last few weeks on some pretty cold walks and days at the playground with my son, and they have kept me SO toasty warm! The knit is thick yet has lots of stretch.
Thanks for stopping by today and checking out this tutorial.
If you have kids and you live near water you might just have jars and containers full of “sea treasures” lying around your house. Shells, driftwood, seaglass, sand and other randon findings are plentiful around my house – somewhat because of my son, and definitey somewhat because of me!
These findings can be pretty special to kids and parents alike. I am always looking at ways to incorporate our findings into permanent fixtures in our home.
This project is really versatile and can be done with your kids treasures, your own treasures, or for sure any little odds and ends around your house. Think about things like loose buttons, paperclips, scraps of paper. Let their imaginations run a little wild here.
The materials you need for this tutorial are as follows:
A shadowbox frame (I use 8X8 primarily but any size will do)
E6000 glue (recommend an adult uses this glue, NOT a child)
Shells, buttons, seaglass or whatever treasures you like (that will fit in the frame)
The shadowboxes I use are from Michaels, and I buy them in packs of 3. I love the gold frames, however you can get silver or woodgrain as well. You can also spraypaint the frames if you had a specific color in mind.
To start, find a piece of cardstock you love. I used to use plain white cardstock, and then I found cardstock that was a little textured and I fell in love. You will want to cut your cardstock to the proper size (to fit inside the shadowbox).
If you’re using seashells, I recommend cleaning them a day or two before attempting this project. To clean shells I use a bleach solution (water and bleach, about 10:1). I soak the shells in the solution overnight. Rinse them with clear water the next day, and lay them on a towel to dry. Ensure your shells are fully dried before attempting to glue them. You can clean seaglass the same way.
You can make whatever shape you like, however for this tutorial I stuck with a circle.
I start by making a rough outline of the shape using the objects I will later glue in place. Once you’ve made a rough outline, take a photo of it. If you’re happy with the shape in the photo, you’re off to a good start! Adjust as needed.
Once you have the desired outline in place, glue those pieces down using a little E6000. The glue doesn’t dry immediately so you can move it around a little once you’ve laid it in place. But you can also unintentionally move it if you aren’t careful 🙂
Fill in the circle with shells, glass, etc. Keep filling until the circle looks full. Ensure you are balancing colors as you go. You don’t want all white glass on one side, for example. Make sure you’re evenly distributing color.
Once the shape is filled in, it’s time to set it aside to dry. I like to take a book or a piece of cardboard and slide (don’t lift!) the cardstock onto a flat surface to dry. I normally let them dry overnight.
Once the glue is fully set, it’s time to pop your art in the frame. I clean the glass (front and back) so I don’t have to take it apart again later. Pro tip 🙂
Now your wall art is ready to hang!
PS. They make great housewarming, Christmas, Mother’s Day, etc gifts too!
Thanks for checking out my post today, and happy gluing!
Many years ago I came across a project that has stuck with me since I was about 12 years old. It’s a project I’ve made many times, for my own use as well as gifts, and I’m excited to share this one.
If your child has a special friend or famliy member that they want to do something kind for, this really is sure to be a hit! This project is entirely customizable and takes about an hour to do.
Here are the materials you will need for this project:
White pillowcase (100% cotton)
Black Sharpie (permanent)
Crayola crayons (not the washable variety)
To begin, the child can pick out a coloring page if they wish. You can quite easily print free coloring pages from the internet, or perhaps they already have a coloring book to select an image from. If they prefer to free-hand, that works too. For lettering I suggest using block letters as they can be colored in.
I start by ironing the pillowcase to get all the wrinkles out. Next you need a piece of cardboard that will fit inside the pillowcase, and the cardboard must be at least as large as the coloring page (or the drawing area). You need the cardboard to prevent the ink from running through to the opposite side of the pillowcase. And hey, if your kiddo enjoys this project they just might want to decorate both sides!
The next step is optional but I do find it very helpful. I tape the coloring sheet to the cardboard. This prevents the page from shifting as the image is traced.
The next step may require adult supervision, depending on the child and their age. You will tuck the cardboard (with coloring sheet attached) inside the pillowcase. You should be able to see the outline of the image through the pillowcase.
Next you will take the black Sharpie and trace the outline onto the pillowcase. Try not to press too hard as it can lead to “bleeding” ink. If this happens, you can certainly color over it with the crayons.
With the image traced out, it’s time to color! I recommend leaving the cardboard inside the pillowcase for this step.
I finished coloring and added a couple of words (freehand, as you can probably tell!) to fill in the pillowcase a bit more. Once all coloring is completed, it’s time to iron!
You want to ensure you are placing the wax paper with wax side down (facing the image). As you iron, the wax from the wax paper will transfer onto the pillowcase and help seal in the crayon. If you aren’t certain which side of the wax paper is waxed, scratch your fingernail on each side. The side that shows up white after it’s been scratched is the wax side.
For extra protection, you can repeat that last step and use a second sheet of wax paper. I like to iron slowly and make sure the iron has had time to really seal in the crayon. Do not use the steam setting.
This pillowcase should be washable now, though the color will naturally fade over time. The Sharpie won’t, so if you do experience fading you can always break out the crayons and try again!
Thanks for checking out my post today! Happy coloring!
I’ve been hoarding patterns from Suzy Quilts for some time now, with the best intention of finally trying each one out. Life has been busy through the pandemic – working and parenting at the same time can be exhausting, and most evenings I’m too tired to sew. Hopefully we are in the home stretch now and life can get back to (something resembling) normal.
A couple of weeks back I decided to try out the Sugar Pop quilt by Suzy Quilts. I am absolutely in love with this pattern! I am drawn to more geometric quilts – lines, edges, points, etc. I’ve had this pattern for quite some time but it looked a little intimidating. I sometimes get lost in the process of trying to match colors and patterns.
This is a TRUE de-stash quilt pattern if I’ve ever seen one. The pattern comes in 3 versions – pillow, throw quilt, baby quilt.
The amount of each fabric required for any of these versions is minimal, and you get to choose 7 colors/patterns to build this incredible pattern. I went bright and colorful with this creation, but I do think this would look pretty awesome done in all different shades of a single color. Or black, white and multiple shades of grey.
I decided to quilt the top before turning into a pillow. I used two layers of thin 100% cotton batting, and I backed it with a piece of cotton. This didn’t require quilting, but it sure turned out well.
Here’s a quick look at the back, so you can see how much quilting I did.
I turned this into a pillow by using a little medium weight denim on the back (with polka dots!)
I have the throw blanket (top) completed but it’s not assembled with batting and backing yet. Looking forward to having both of these beautiful pieces displayed on my couch in the coming weeks!
Check out Suzy Quilts for more adorable patterns available for instant download.
Well, this is a post I’ve been wanting to make for quite some time. In July I was playing around on a random beach with my son, finding shells and enjoying the salty air, when I came across a very small piece of green seaglass sitting among the sand. I had never found seaglass before, but I immediately wanted more! We visited the same beach the next day and didn’t find a single piece. I asked around about seaglass beaches in the area, and I was advised to “look for rolling waves”.
Within a few days, a friend and I were out scouring beaches in Bay Bulls, finding little nuggets of glass among the beautiful shorelines.
We did this a few days a week, mostly finding small pieces in green, white, brown and sometimes indigo.
Since that time, our weather has been cooperative and I am still seaglass hunting well into February! We have expanded our search zone a bit, and the payoff has been huge! I attribute that to the winter months not being seen as the ideal seaglass hunting weather, and I think getting out of town to more sparsely populated areas helps as well.
My mom kept asking, “What are you doing with all the seaglass?”, and the best I could say was, “I will make wall art out of it some day.” I dreamed up projects but they never really came to life. Truth is, finding seaglass, cleaning it and just admiring it was almost enough for me. Almost.
There are different types of glass that can be found on the beach, ranging from perfect, cloudy, rounded pieces of traditional seaglass, to more jagged, clear pieces of beach glass. At one point I was collecting beach glass, before really realizing it wasn’t exactly what I had in mind. I purchased a very simple rock tumbler and got some gritty sand from the beach. Dampened the sand, threw in some beach glass, and tumbled it for a couple of days. The glass came out nice and cloudy.
Some people make cloudy glass from scratch by breaking up bottles (using goggles, gloves, etc) and tossing it into a tumbler for a few days. I prefer the traditional way of finding glass, but if you find glass that’s not quite cloudy enough, no harm in tumbling it for a day or two until it’s usable, IMHO.
To start, cut your cardstock to fit the shadowbox. If you have a 5X7 frame, cut your cardstock 5X7. I use a paper cutter to get nice, straight edges.
I laid placemats on the table prior to gluing, mostly just in case glue soaked through the cardstock. I would recommend this for sure.
Lay out your seaglass on the cardstock in the pattern you choose. If you’re doing flowers (like I did, to start), lay out your glass, figure out where you want the flower stems, and just slightly move the glass out of the way to draw the stem before you begin gluing.
Once your pieces are laid in place, lift one at a time and place a dab of glue on the underside. Gently lay in place. Most adhesives will take a little time to fully set, but try not to move it around once it’s laid.
Continue gluing pieces until finished. Lay entirely flat to dry.
Shadowboxes really help these pieces look complete. They also protect from dust and dirt, as you can imagine these cardstock pieces will not be entirely easy to clean.
The best advice I have when you’re looking to make seaglass art is to work with the pieces and shapes that you have. And definitely come up with a little stockpile before attempting to create. It’s addictive so you might as well buy 10 shadowbox frames now and save yourself the trips to Michaels. Most of the frames I’ve used are 5X7 but I do have a bunch of 8X10s as well.
You can incorporate things like twigs, pearls, beads and rope into these pieces quite easily. They are fun to make, and you can let your imagination run totally wild. Finding treasures along the shorelines with your children and letting them transform their finds into art is a fantastic way to foster creativity.
In July I moved into a new-to-me home, which has brought on a lot of opportunities to get creative. I’ve been spending my time painting and making new decor like throw pillows and, now, a wall hanging!
I kept seeing these boho style wall hangings and, though they don’t fit my usual styling, they do certainly have a place in my home – my craft room!
This project is fun, easy, and can be done with older children for sure. It’s inexpensive and you can let your imagination really run wild. I’ve seen other additions of flowers, feathers and lace.
My version was quite simple, though I will say I have another in the works that may end up being a bit more elaborate.
Materials needed for this tutorial:
– A hoop (or two) – Various colors of yarn – Scissors – Wooden beads
I picked up gold and silver hoops at Michaels for less than $5 each. They had several sizes to choose from, and I wanted to use two hoops for this hanging so I grabbed two different sizes in gold.
I have a stockpile of yarn at home, but I did grab some ivory and blush pink for this piece. I knew I wanted faded pink, purple and ivory, etc. Value yarn works as well as expensive yarn for a project like this. My sewing room is a lavender color so I felt it would match the decor.
I started by cutting pieces of yarn approximately 62″ in length. I knew this would be long and that the strands would need to be cut after assembly, so the exact measurement of each piece is not critical. Just a rough cut at that length.
Once the yarn was cut I hung the hoop on the back of a chair and started adding pieces. I put two strands of yarn together for each loop, but you could easy do 4-5 and it would take even less time.
To form the loops, just fold over your two pieces of yarn, holding the folded section at the top. Place over the hoop, pull the yarn through the loop and pull downward. Make sure that you loop the same way every time.
Throughout this project I did add some braided sections. I put about 10-12 pieces of yarn together, looped them as normal, and then proceeded to braid the sections. NOTE: Braiding will make the section shorter, so you may want to cut slightly longer pieces for the braids.
I hung the hoop up, smoothed down all of the pieces, and then decided where to add the beads. I used wooden beads from Wal-Mart , along with a darning needed (not necessary but surely helpful) for threading the yarn through the bead openings. I knotted below where each bead would sit. You could also do entire strings of beads or large pearls. If you don’t like it, take the individual section off and try again. You really can’t go wrong.
Finally I hung the wall hanging and decided how to cut the bottoms. Lots and lots of options but I went diagonal for one, and v-shaped for the other.
This piece sits on a wall with a lot of locally made artwork I’ve collected over the years, and some artwork I did myself. Simple but pretty, it adds a pop of texture to the wall. Next time I’ll add in lace, more beads and perhaps feathers. For now, I’m enjoying the way the lengths of yarn sway every time I walk past it.
As all cool toddlers do these days, my son has a learning tower. This tower allows him to reach the countertops and sink in the kitchen so he can help with baking, meal prep or dishes. Picture a 3-year old doing dishes while holding the water sprayer…. “helper” indeed.
I bought the tower second hand, and it was stained a dark brown color, which matched our kitchen so I thought it was pretty neat. But kids usually love bright colours, and I was really in the mood to paint something. I set out to find a Rustoleum spray paint in a fun color, but the store didn’t have any. The associate talked me into chalk paint.
At the Paint Shop, the associate explained I would need chalk paint, sealer and a special brush. Chalk paint is very dry, not at all durable, and it’s nearly impossible to clean. Learning towers get covered in flour, sugar, butter, etc all the time so they NEED to be washable. The sealer would help there. And the lady at the store swore by the special paint brush to help reduce paint strokes.
I found a really lovely, bright teal paint and an eggshell-finish sealer.
I started by washing the tower with a good cleanser, and then I let it fully dry. I ran over the tower with a dry towel to make sure I got all the dust off.
Chalk paint dries quickly and is pretty thick, so no priming needed. I gave the tower 2 coats of chalk paint before doing two coats of the sealer. I did a coat of chalk paint at dinnertime one day, a second coat at lunchtime the next, and then waited a day between coats of the sealer.
Once the sealer dried, it was ready to use!
Now. Here’s what I have to say about this project:
I don’t love working with chalk paint. I mean, it was okay. But a couple of times, between coats, I would simply touch it with my nail and it would scratch off. It’s beyond delicate.
The top coat was nice to work with, but it remains tacky. When my son steps on it, his feet kinda “stick” to it.
It gave his learning tower a gorgeous pop of color, but next time I do something like this I’m going to test out the Rustoleum line.
2020 has felt like an entire decade so far, and it’s only mid-April. I live in a beautiful province here in Canada called Newfoundland & Labrador, and our weather is no joke. In January we had a snowstorm that was affectionately known as Snowmageddon, where our city shut down for a week under State of Emergency. It was several weeks before our residential streets were wide enough for traffic to flow in both directions. I had never seen anything like it, and it caused a major life disruption. All businesses were ordered closed, you weren’t allowed to drive on the City streets, and life seemed to come to a screeching halt. Slowly things got back to normal, but now we’re faced with a Health State of Emergency as the province braces under the COVID-19 pandemic. All non-essential businesses are shut down indefinitely once again.
I haven’t been able to blog much lately because I am working from home full time, plus I have my nearly-3 year old son home all day long. It leaves me with a couple of hours every evening to finish work I didn’t get done during the day, maybe do a bit of sewing, clean the house or go to bed early. Either way, my blogging has been taking a hit. It will get better, but right now we are all in survival mode.
Last week our Chief Medical Officer of Health communicated to the province that we should all be wearing homemade face masks when we go out in public. There’s a global shortage of medical-grade personal protective equipment (PPE) so people had to start getting creative. Hence the double-layer cotton face mask was born.
A friend asked me to whip up a couple for her spouse, which I absolutely jumped at. Then came many, many other requests. These are really fun to make and do require a little bit of skill, particularly sewing the curved seam.
I sold upwards of 50 within a week, and now I’ve listed them in my Etsy shop. I’ve also created a coupon for those following my blog – MAKELIFECRAFTY10. Enter it when purchasing any of my face masks and you’ll get 10% off!
If you’re crafty and have some spare cotton and elastic around, there are a ton of free patterns online. There are different types – fans and cones are the two most common – and they each require different skill.
If you aren’t crafty or can’t seem to make these work for you, feel free to check out my shop. I ship within Canada for $3, or you can pickup for free in the local St. John’s area.
I hope each and every one of you are taking care of your physical and mental health during this wild ride. Praying we won’t need to wear these for long, but for now I’m whipping up masks with cute crabs, puffins, pussycats, polkadots, stripes or any other sweet print I have on hand.
This weekend I’ve been busy making aprons for toddlers. You might recall a previous post An Apron Pattern to Love and this apron follows a lot of the same instructions, however there are some differences for sure.
My son is nearly 3 years old and absolutely loves to bake and help prepare meals. He’s got a little learning tower in the kitchen so he can reach the countertop, and I often find him reaching for my aprons to wear. I made this one in a 3T-4T size.
My family is Halloween-obsessed. No joke. We spend weeks preparing costumes every year, and we go a bit nuts with decorating the outside of our house. The little one has caught the Halloween bug and just loves anything spooky!
One way I make sewing a bit more economical is by buying seasonal fabric (Christmas, Halloween, Easter, etc) on clearance at the end of each season, to use the following year. I have a stash of Halloween fabric from years gone by, so there couldn’t have been a more perfect time to use my spookiest prints than for my sons first apron.
Materials needed for this tutorial:
3/4 meter of fabric (I used cotton, and I used 3 coordinating fabrics in smaller quantities)
In keeping with quilting rules, I did not pre-wash the cotton for this tutorial. If you’ve ever pre-washed cotton you will know that it frays and gets terribly tangly around the edges after going through the dryer.
I started by ironing my fabric to get the creases out. I was using 3 coordinating Halloween fabrics so I selected one for the body, one for the trim (around bottom and top of apron), one for the pocket and tie.
Using my cutting mat I laid out the fabric for the body of the apron. Being aware of the direction of the print on the fabric, I cut a rectangle that was 19 inches wide and 28 inches long. In hindsight I probably could have gone with 25 inches long because the apron did end up being a bit long on my son, but as he grows it will still work for him.
Once I had the 19WX28L rectangle cut I folded it in half lengthwise (the folded piece would now be 9.5WX28L). Working from the cut edge I measured down from the top 5 inches, placing a pin. Working now from the folded edge at the top of the apron body, I measured across 4 inches and placed a pin. The area between those two pins is the armhole.
Next you need to cut between those two pins. I’ve included a photo here so you can see the shape I use. If you make it too rounded it won’t fit nicely under the arms.
Once you’ve cut the armhole, you will start the trim piece for the chest and bottom of the apron. For the bottom (again, mind the direction of the print on your fabric!) I cut a piece that was 8 inches long and 19 inches wide. For the top I did 9 inches wide and 6 inches long.
To attach the bottom piece I ensure both pieces of fabric are pressed and wrinkle-free. Then I flattened out the body of the apron and placed the rectangle for the bottom trim over top, with right sides together. I lined them up and pinned along the edge.
When I sew along this edge I use a 1 inch seam allowance, which is a lot but you’ll be making a bit of a pocket with this shortly so you will be thankful you’ve given yourself lots of fabric to work with.
Stitch along the edge. Once you’ve stitched, your 1 inch seam allowance is now 2 pieces of fabric, but we want to trim the lower piece.
Next you want to press the main body piece of fabric (the seam allowance) downward, to cover the piece we just trimmed. Give it a good press, using steam.
The seam allowance will now be tucked up under itself, encasing the cut edge of the lower fabric.
So you can see I tucked the main fabric under, pinning as I go, ensuring the other fabric is entirely covered. I then stitched along the folded edge. Note: For this stitching you will want to ensure you are using the matching thread and bobbin. The stitches will be visible from the front. Sometimes, for simplicity, I use whatever thread is already in my machine for non-obvious stitching, but from this point forward you will want to ensure you have spools and bobbins to coordinate.
Next I fold up the bottom edge of the apron to form the hem. I turn the hem up twice, 1 inch each time. I like the look of a thicker hem. So you are losing 2 full inches from the length of the apron by doing this, but it does give a nicer look.
Next step is to attach the top piece of trim. So we’ve cut a piece that’s 9 inches wide by 6 inches long. Fold it down lengthwise (so the rectangle is now 3 inches by 9 inches) and give a good press. You’ll then take each of the cut edges and fold them inward.
Give it another good press, then fit it neatly over the top of the apron bib. Stitch.
Once that’s in place, give a good press with the iron. Your apron is now really starting to take shape!
Next step is to sew the sides of the apron. You will want to use a narrower tuck here than we did for the hem. I use 1 inch for the sides, pressing, then tucking it in half to ensure no raw edges are visible.
When you are stitching the sides it’s important to remember that you have a different color for the trim than the body. This means you will want to switch out your spool and bobbin part-way up the sides. I usually start with the trim first (as the thread is still in there from doing the hem and the bib). So you’re just stitching to where the fabric changes to the main body on each side.
Now the body of the apron is sewn except for the armholes. This is the part I despise every time, but it’s a must. Some people use lining for their fabric for the armholes, but I rarely do that extra step. This apron is for a toddler who grows like a weed – it won’t be around long enough to worry about lining it.
Here is the general shape you need for the armhole casings:
To make my own armhole casings (lining is optional here) I just take a rectangle of fabric and lay it flat against the front of the fabric (right sides together). One edge will follow the shape of the armhole you created, and then you basically measure out 2 – 2.5 inches and cut. You need to leave the ends about an inch longer so you can sew them under.
So for this next part, I’ll do my best to put it into words: You have to take that extra length and turn the ends in, and sew them shut. This facing will eventually have the apron strap fed through it, so you want to ensure the edge is not going to fray.
This next photo is where I am closing up the end of the facing (with the body folded away from the machine so I don’t accidentally stitch them together:
Then once the ends are all stitched, I attach to the armhole. I use about a 1/4 inch seam allowance here.
Once it’s attached to the body of the apron, you will turn it right side out, and press the seam firmly with an iron. Next you turn in the edge of the facing about 1/4 inch and pin along as you go. You will be leaving the ends open, again to thread the apron strap through.
Not unlike when we did the bottom trim, the top trim has two different patterned fabrics so you need to switch out thread and bobbin part-way through. If you look at the front of your apron you will notice your upper trim is about 1.5 inches. As you’re sewing the facing to the body of the apron, you are stitching over that trim. So I recommend switching out threads to give the best look.
The hard part is officially done now! You’re ready to add a pocket and sew the apron strap.
For the apron strap I cut two straps, about 36 inches each in length and 3 inches wide. Join them, right sides together. Press the seam open.
Press the ends of the strap over so no raw edge is visible.
Next you need to fold the strap in half (so now your dimension will be 1.5 inches X 72 inches). Press. Then tuck each of the cut edges under a second time.
Set aside the strap and we’ll move onto the pocket. You can be really creative with pockets. You can do a big pocket, a small one, many small ones, a pocket on the bib, whatever you like. Add lace or ribbon to the top of the pocket to really dress it up.
I cut a square 8 inches by 7 inches wide. For the top of the pocket I fold down about 1/2 an inch, press, and fold down again. Stitch across the fold. If you want to add lace or ribbon, pin it on before stitching – two birds, one stone. Just be sure to use the right color thread, whichever option you choose. I like the look of the wide seam there. Then I press about 1/4 inch around the rest of the pocket.
Lay the pocket on the apron wherever you like. Measure across or from the bottom of the apron to ensure it’s straight.
Once it’s pinned in place, stitch around the three remaining sides, ensuring you backstitch properly at the top of the pocket where there’s likely to be more strain on the seam as the pocket gets used.
Give the apron a good press, using steam, and you’re ready to put the apron strap through the facings.
Back in my early years when I began sewing my mom taught me how to do this – attach a safety pin, close it up, and feed it on through. This is a great trick if you pull a string out of a hoodie or a drawstring out of pants.
As you do this, ensure your strap stays flat and doesn’t twist.
And you’re done! This is such a fun little project and once you’ve done it a couple of times, you can get these out in about an hour. They are a great stash-buster and they make great gifts.
You can personalize aprons by appliqueing a name or initial on it. I’ve also seen people applique things like mixing spoons or cupcakes on them. One day I’ll find time to try that out.
Other ways to personalize would be including decorative stitching, embroidery, decorative ribbons or lace, buttons, etc. The possibilities really are endless.
My little Halloween-loving toddler, on his learning tower modeling his new apron!
Thanks for stopping by and checking out my post today!
Oh, and when you go to wash this apron it’s best to knot the strap together because it’s adjustable, so it can come out in the vigorous washing machine. If it comes out you can always use the safety pin trick above to thread it back through.